Wolff’s works celebrate a different side of Pollock,
one without the control and intention that was crucial to Pollock’s art. Every dot, line, shape, and color, along with the textures and lines in the wooden floor of Jackson Pollock’s Studio floor was placed there unintentionally, and sometimes accidentally by Pollock himself. The abandoned paint commanded Wolff’s attention as he captured what he saw in relatively poor light for his new camera. The resulting photos, taken in the studio in natural light on a cloudy day, were fairly documentary and not particularly noteworthy.
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